Nobody’s Puppet

Nobody’s Puppet

I heard about the play, All in a Row, the other day. Specifically, I read what the writer had to say about deciding that the character of an autistic boy with “challenging behaviour” could only be portrayed by a puppet.

I know so many autistic people who have dedicated many years to overcoming society’s prejudices, fighting against the dehumanisation and othering of autistic children and adults.

And then we saw this. Among a cast of real humans, played by human actors, the single autistic is indelibly marked as an outsider. Perhaps he can, like Pinocchio, dream of one day becoming a real boy, but for now he’s cast out of humanity.

It’s hard to express just how painful it is as an autistic person to see someone who is essentially like you–the character with whom you have the most in common–portrayed this way. To be dehumanised, an empty, soulless shell incapable of any thought, feeling or expression, whose every action is in response another’s command.

This is the very embodiment of the prejudice and, yes, even hate that we face in our autistic lives. We live the reality of being labelled emotionless, incompetent, unfeeling, thoughtless. The agonising wounds of our experiences are opened afresh by this careless action, by seeing this puppet represent every insult levelled at us by our bullies and abusers.

And that is why using a puppet to portray an autistic person among a cast of human actors is unacceptable.

An empty boy with empty head,
My only life is what you bring
In gift each day, my will is yours.
I go where you direct my string.

What do you see inside this shell,
Behind this vacant glassy stare?
Could anybody care enough
To ever see the person there?

I didn't ask to be your puppet
To play this part that you defined.
Am I lost, forever other,
Denied my place with human kind?
Writing #Autistic Characters—An #ActuallyAutistic Perspective

Writing #Autistic Characters—An #ActuallyAutistic Perspective

Writing Autistics

Writing Autistics

do

  • ask us for our help and input
  • listen to what we tell you
  • respect us as unique individuals
  • remember we have feelings
  • give us subtle, complex motivations
  • portray adults as well as children

don’t

  • ridicule our differences
  • treat us as objects of pity
  • assume our goal is to be like you
  • use our behaviours as a running joke
  • fall into lazy, outdated stereotyping
  • expect praise just for mentioning us

We need role models, not ammunition for bullies.

Cis Actors As Trans Characters – Why The Fuss?

Cis Actors As Trans Characters – Why The Fuss?

You might have seen some of the fuss from trans advocates and activists about The Danish Girl‘s casting of Eddie Redmayne as trans woman Lili Elbe. I know I did, and it made me realize that even I find it hard to explain why a problem even exists here.

Now, if I’m having trouble putting my unease about it into words you can bet most cis (non-trans) people don’t get it. So I figured I should try, and hope this ends up coherent!

I’ll start by saying that I’ve not seen The Danish Girl myself but this is only because I haven’t had the opportunity. I do intend to watch it when it becomes available through my satellite subscription. My objections are not to the movie itself or to Eddie Redmayne.

No, the problem I (and many others) have is that when casting such roles the default is to cast an actor whose gender matches the assigned gender of the character rather than their identified gender.

For all that acting involves a degree of pretence, the actor becoming another person with different attributes, we as the audience can’t help but see both actor and character, imbuing the portrayal with our knowledge of whoever is playing the part.

So when we see a male actor playing a trans woman we see them, at least in part, as a man. Even if it’s at a subconscious level it reinforces the incorrect idea that a trans woman is a man.

I’m not trying to argue that a man can’t play a woman, or vice versa. Linda Hunt won an well-deserved Oscar for her role as Billy Kwan in The Year of Living Dangerously. My point is that this is very much the exception, whereas with trans characters it’s the rule.

I don’t want anybody excluded from a given role on the grounds of gender (or anything else); what I want is for those casting roles to primarily choose actors who are a close fit for the characters’ gender as much as their race, build and other characteristics.

The current situation with trans characters is equivalent to the days when Native American or Asian characters were almost exclusively played by white actors. This is now rightly seen as discrimatory and unacceptable and I want the same attitude to prevail when it comes to trans roles.